Alma Nosmas
Confronting Extractivism & Corporate Power
Women human rights defenders (WHRDs) worldwide defend their lands, livelihoods and communities from extractive industries and corporate power. They stand against powerful economic and political interests driving land theft, displacement of communities, loss of livelihoods, and environmental degradation.
Why resist extractive industries?
Extractivism is an economic and political model of development that commodifies nature and prioritizes profit over human rights and the environment. Rooted in colonial history, it reinforces social and economic inequalities locally and globally. Often, Black, rural and Indigenous women are the most affected by extractivism, and are largely excluded from decision-making. Defying these patriarchal and neo-colonial forces, women rise in defense of rights, lands, people and nature.
Critical risks and gender-specific violence
WHRDs confronting extractive industries experience a range of risks, threats and violations, including criminalization, stigmatization, violence and intimidation. Their stories reveal a strong aspect of gendered and sexualized violence. Perpetrators include state and local authorities, corporations, police, military, paramilitary and private security forces, and at times their own communities.
Acting together
AWID and the Women Human Rights Defenders International Coalition (WHRD-IC) are pleased to announce “Women Human Rights Defenders Confronting Extractivism and Corporate Power”; a cross-regional research project documenting the lived experiences of WHRDs from Asia, Africa and Latin America.
We encourage activists, members of social movements, organized civil society, donors and policy makers to read and use these products for advocacy, education and inspiration.
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"Women Human Rights Defenders confronting extractive industries: an overview of critical risks and Human Rights obligations" is a policy report with a gender perspective. It analyses forms of violations and types of perpetrators, quotes relevant human rights obligations and includes policy recommendations to states, corporations, civil society and donors.
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"Weaving resistance through action: Strategies of Women Human Rights Defenders confronting extractive industries" is a practical guide outlining creative and deliberate forms of action, successful tactics and inspiring stories of resistance.
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The video “Defending people and planet: Women confronting extractive industries” puts courageous WHRDs from Africa, Asia, and Latin America in the spotlight. They share their struggles for land and life, and speak to the risks and challenges they face in their activism.
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Challenging corporate power: Struggles for women’s rights, economic and gender justice is a research paper outlining the impacts of corporate power and offering insights into strategies of resistance.
Share your experience and questions!
Tell us how you are using the resources on WHRDs Confronting extractivism and corporate power.
◾️ How can these resources support your activism and advocacy?
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Thank you!
AWID acknowledges with gratitude the invaluable input of every Woman Human Rights Defender who participated in this project. This project was made possible thanks to your willingness to generously and openly share your experiences and learnings. Your courage, creativity and resilience is an inspiration for us all. Thank you!
Related Content
Remembering: A Tribute to WHRDs no longer with us
AWID honors feminists and Women Human Rights Defenders (WHRDs) who have died and whose contributions to the advancement of human rights are very much missed.
Celebrating Activists and WHRDs
AWID’s WHRD Tribute is a photo exhibition featuring feminist, women’s rights and social justice activists from around the world who are no longer with us.
The Tribute was first launched in 2012, at AWID’s 12th International Forum, in Turkey. It took shape with a physical exhibit of portraits and biographies of feminists and activists who passed away. The initiative was described by Forum participants as being a unique, moving and energizing way to commemorate our collective history.
At the 13th International Forum in Brazil, we honored activists and WHRDs with a mural unveiling ceremony in four languages, a dance performance and a Brazilian ritual.
In between the events, the Tribute lives as an online gallery that is updated every year as part of the 16 Days Campaign Against Gender Based Violence (25 November – 10 December).
Contributions from all over the world
Since 2012, through our annual Tribute to Women Human Rights Defenders (WHRDs) no longer with us, over 400 feminists and WHRDs from 11 regions and 80 countries have been featured.
AWID would like to thank the families and organizations who shared their personal stories and contributed to this memorial. We join them in continuing the remarkable work of these women and forging efforts to ensure justice is achieved in cases that remain in impunity.
Visit the WHRD Tribute online exhibit
The violence and threaths against WHRDs persist
In addition to paying homage to these incredible activists, the Tribute particularly sheds light on the plight of WHRDs who have been assassinated or disappeared.
One third of those featured in the Tribute were activists who have been murdered or disappeared in suspicious circumstances. They were specifically targeted for who they were and the work they did to challenge:
- State power
- Heteronormativity
- Fundamentalisms
- Corporations
- Patriarchy
- Organized Crime
- Corruption
- Militarization…
Women like Agnes Torres, from Mexico, was killed because of her gender identity and sexual orientation; or Cheryl Ananayo, an environmental activist from the Philippines was assassinated as she struggled against a mining company; or Ruqia Hassan, a Syrian independent journalist and blogger killed for her criticism of ISIS. And so many others.
With the WHRD Tribute, we bring them all into our collective memory and carry their legacy of struggle as our torch in the feminists’ and women’s rights movements. We recognize that security, safety and self-care must be a priority in all our political agendas. And we call on to governments and international bodies to collectively address violence against feminists and WHRDs.
We believe this is a critical step to ensure the sustainability of our movements for gender equality, women’s rights, and justice for all.
Snippet Forum Stories Gen Intro (ES)
¿Qué significa un Foro de AWID para las personas que estuvieron ahí? ¿Qué es esta magia que sucede cuando feministas de todo el mundo se reúnen para celebrar, elaborar estrategias, aprender y compartir la alegría?
AWID habló con más de cuarenta participantes del Foro para oír sus historias de las transformaciones que experimentaron ellxs mismxs como activistas, y que también cambiaron a sus organizaciones y a los movimientos a los que pertenecen. También aprendimos sobre qué cosas deberíamos mantener y desarrollar para que un Foro de AWID sea diferente, y de qué manera podemos mejorar.
Este informe contiene aprendizajes y consejos invaluables para cualquier persona que quiera organizar encuentros presenciales regionales y temáticos, y para nosotrxs en nuestro trabajo de planificación del 15° Foro Internacional de AWID.
¡Desliza para que descubras más!
FRMag - The Story of An Unhappy Tale
The Story of An Unhappy Tale
by Gabriela Estefanía Riera Robles
Juliana. How I would love to be called Juliana! The name is full of power and presence, full of force and vehemence. (...)
< artwork by Borislava Madeit and Stalker Since 1993
Snippet - CSW69 On autonomous resourcing - FR
Sur les alternatives de financement autonome
- Découvrez le Les Économies Féministes que Nous Adorons
- Réalités économiques féministes: construire les mondes dont nous avons besoin
- Pas d’économies de soins sans travailleuses domestiques ! Un Manifeste
Fadila M.
Fadila M. était une activiste “tribale” Soulaliyate d’Azrou, dans la province marocaine d’Ifrane. Elle s'est battue contre une forme spécifique de discrimination à l'égard des femmes “tribales” liée à la propriété foncière.
Dans le cadre du Mouvement en faveur des droits fonciers des femmes Soulaliyates, elle a travaillé pour la révision de la législation-cadre relative à la gestion des biens communautaires, avec l'adoption en 2019 de trois projets de lois garantissant l'égalité des femmes et des hommes.
Selon le droit coutumier en vigueur, les femmes n'avaient pas le droit de bénéficier de la terre, surtout celles qui étaient célibataires, veuves ou divorcées. Au Maroc, les droits à la terre collective se transmettaient traditionnellement entre les membres masculins de plus de 16 ans issus d’une même famille. Depuis 2007, Fadila M. faisait partie du mouvement des femmes, à savoir la première mobilisation populaire nationale de revendication de leurs droits fonciers. Parmi leurs victoires, citons le fait qu'en 2012, les femmes Soulaliyates ont pu, pour la première fois, s'inscrire sur les listes de bénéficiaires et disposer d'une indemnisation liée à la cession des terres. Le mouvement a également réussi à faire modifier le dahir de 1919 (décret du roi du Maroc) de façon à garantir aux femmes le droit à l'égalité.
Fadila M. s’est éteinte le 27 septembre 2018. Les circonstances de sa mort, survenue alors qu’elle participait à une marche de protestation sur la question des terres collectives, ne sont pas claires. Si les autorités déclarent que sa mort est accidentelle et qu'elle a fait un arrêt cardiaque sur le chemin de l'hôpital, la section locale de l'Association marocaine des droits de l'homme (AMDH), affirme quant à elle que Fadila a été étouffée par un membre des forces policières arborant un drapeau marocain. Sa famille a demandé qu’une enquête soit menée mais les résultats de l'autopsie n'ont pas été communiqués.
Apprenez-en davantage sur le Mouvement en faveur des droits fonciers des femmes Soulaliyates
Veuillez noter: Nous n'avons pu trouver aucune photo de Fadima M. C'est pourquoi cette illustration (au lieu d'un portrait) représente ce pour quoi elle s'est battue et a travaillé : la terre et le droit d'y vivre et d'avoir accès à cette terre et ce qui y pousse.
Body
En su lucha por los derechos humanos enfrentan la injusticia en América Latina
Este año honramos a 19 defensoras de la región de América Latina y el Caribe. De ellas, 16 fueron asesinadas, incluyendo a 6 periodistas y 4 defensoras LGBTQI. Únete a nosotras en la conmemoración de sus vidas y trabajo, compartiendo los memes aquí incluidos con tus colegas, amistades y redes; y tuiteando las etiquetas #WHRDTribute y #16Días.
Por favor, haz click en cada imagen de abajo para ver una versión más grande y para descargar como un archivo.
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Snippet AWID Forum Location Announcement Title (EN)
Announcing the AWID Forum Date & Location
Zarana Papic
Club de Cine Feminista - Club de Cine Feminista
Ya está disponible nuestro primer programa del Club de Cine Feminista: «Tenderness is the Sharpest Resistance» [«La ternura es la resistencia más intensa»], que es una serie de películas sobre realidades feministas de Asia-Pacífico curada por Jess X. Snow.
Snippet - if the positions have closed
If the positions advertised have closed, or just don’t match your area of interest and expertise, we suggest the following resources for your job search.
Dorothy Masuka
“I didn’t plan to be a singer, singing planned to be in me.” - Dorothy Masuka (interview with Mail & Guardian)
Dorothy Masuka, born 1935 in Bulawayo (then Southern Rhodesia, now Zimbabwe), grew up in South Africa to become a well-known songwriter, composer, jazz singer and activist, a fervent advocate of the struggle against apartheid. Called “an architect of the discourse of popular African liberation music”, Dorothy often sang about politics in indigenous African languages and throughout her work she confronted the racist policies of the South African government.
One such song titled “Dr. Malan” (named after the pro-apartheid politician D.F. Malan) was banned. She went on to record “Lumumba” (1961), a song about the assassination of the anti-colonial leader Patrice Lumumba. Dorothy’s work and activism attracted the attention of the Special Branch of the South African police and she was forced into a political exile that would span over three decades. Throughout this time, she worked with pro-independence groups including the African National Congress. In 1992, as apartheid started to crumble and Nelson Mandela was released from prison, she returned to South Africa.
Some of her other work includes the first song she recorded in 1953 entitled “Hamba Notsokolo”, a hit in the 1950s and a valued classic. She also wrote “El Yow Phata Phata”, a song that was adapted by Miriam Makeba, making “Pata, Pata” popular internationally.
Rooted in resistance, Dorothy’s music and activism were intertwined, leaving a magnificent and inspiring legacy. She was also widely known as “Auntie Dot”.
On 23 February 2019 at the age of 83, Dorothy passed away in Johannesburg due to ill health.
Watch Dorothy Masuka in an interview with Mail & Guardian
Listen to some of her music:
WHRDs from the South and Southeast Asian region
7 Women Human Rights Defenders from across the South and Southeast Asian region are honored in this year’s Online Tribute. These defenders have made key contributions to advancing human and women’s rights, indigenous people’s rights, and the right to education. These WHRDs were lawyers, women’s rights activists, scholars, and politicians. Please join AWID in commemorating t their work and legacy by sharing the memes below with your colleagues, networks and friends and by using the hashtags #WHRDTribute and #16Days.
Please click on each image below to see a larger version and download as a file
Snippet Discover Forum Stories (ES)
Los movimientos feministas han cambiado y se han adaptado enormemente desde la última vez que nos reunimos de esta manera - así que para recordar por qué son importantes los Foros de AWID, pedimos a activistas de todo el mundo que reflexionaran y compartieran sus historias, impresiones y recuerdos. Esto es lo que aprendimos.
Nadia Vera
Film club - The Turtle's rage
La carapace de mon père (2012) Allemand | Arabe avec sous-titres anglais
LA CARAPACE DE MON PÈRE raconte l'histoire d'un homme mystérieux dont la vie a été modelée par la fuite, l’expulsion, la vie en exil et un retour raté en Palestine. Le film comporte la quête d’une fille cherchant à obtenir des réponses de la part de son père.
Discussion en direct avec Pary El-Qalqili, réalisatrice de « La carapace de mon père »
Snippet - WCFM Registration status - EN
Registration status:
Search for funders based on their requirements for groups to be registered.